Arts & CultureComments Off on TIFF 2012 In Review: Final Tally
TIFFhas come and gone… For ten days, thousands of people opted to spend countless hours in cinema theatres and lineups. I was one of the many and had a great time.
I thought I’d share the list of films I was able to see this year. Some will note I do not have Galas or films that will be released in the next few months. I prefer to see films that may not have a distributor or are in programmes I tend to favour. In subsequent posts, I’ll list my favourite documentaries and fiction films.
TIFF DOCS PROGRAMME How To Make Money Selling Drugs 9.79* Free Angela & All Political Prisoners Iceberg Slim: Portrait Of A Pimp The Act of Killing The Central Park Five Mea Maxima Culpa: Silence In The House Of God As If We Were Catching A Cobra Rafea: Solar Mama The Last White Knight Shepard & Dark
MAVERICKS The Pervert’s Guide To Ideology West of Memphis American Masters: Inventing David Geffen Casting By
FICTION (Including Special Presentations, Vanguard, Discovery Programmes) Painless Shahid White Elephant Everybody Has A Plan A Royal Affair Blancanieves The Great Kilapy Krivina Peddlers Crimes of Mike Recket The Last Supper Picture Day Midnight’s Children
MIDNIGHT MADNESS PROGRAMME No One Lives The ABCs Of The Death John Dies At The End
If you’ve seen any of the ones listed, I’d love to see some comments on the films. Stay tuned for my list of favourites coming very soon!
Arts & CultureComments Off on TIFF 2012 Filmmaker Spotlight: Pablo Trapero
Pablo Trapero – Image: IMDB
Pablo Traperopresented his latest film, White Elephant, at TIFF last night to a very warm reception. Toronto audiences know Trapero’s work from his earlier films Leonera (Lion’s Den) and Carancho. In his films, Trapero depicts the lives of ordinary, everyday citizens. Most of his films are set in Buenos Aires and White Elephant is no exception. In this latest project, Trapero tells us the story of two priests, Julián (Ricardo Darín) and Nicolás (Jérémie Renier). They work with Luciana (Martina Gusman), a social worker, the three of them live and work in one of Buenos Aires’ largest slum, Villa Maria.
I had the pleasure of speaking with Trapero and was able to discuss aspects of the film I found interesting. (We spoke in Spanish, but this is my best at translating our conversation.)
HM: How did the idea to deal with two priests working in one of Argentina’s largest slums come about?
Trapero: In my previous films, I had depicted dark worlds and also dealt with individuals who had no real direction. I wanted to show characters that had decided to devote their lives to helping others. After Carancho, I decided to go back to this idea… I also knew I’d work with Ricardo (Darín) and Martina (Gusman) again, so I had an idea of their characters. I wanted the characters in White Elephant to be the opposite of those in Carancho. I wanted to push the envelope with these characters.
HM: Speaking of main characters, how did Jérémie Renier adapt for the part?
Trapero: I knew Jérémie from his work with the Dardenne Brothers. Nicolás, his character in this film was that of the ‘Gringo’ priest, so he had to look and sound different from the locals. Jérémie did not speak Spanish prior to filming, so that was his main challenge. As the film progresses, we notice subtleties in how he speaks. Non-Spanish speakers will not recognize this but Nicolás’ Spanish changes from a Central-American sound to an Argentinian one. We did this deliberately and Jérémie worked really hard on this with the aid of a coach.
HM: Can you talk about your direction for White Elephant; how did you plan the flow of the film?
Trapero: I wanted to show how life is composed of a myriad of stories. I think some people find aspects of the film disjointed because that is how life is. The scenes in the film are episodic because that is how Julián, Nicolás and Juliana’s lives are; as well as, the lives of those living in Villa Maria.
HM: You have some long and dark shots throughout the film, some of which feel very tense, where these always planned for?
Trapero: Long shots are for the most part always planned since we need to find the location in which to shoot them. For others, we planned them as we knew who the actors were and how we wanted to shoot them. For example, the shot of Nicolás (Jérémie Renier) going into the drug lord’s hiding place is purposely dark, as it helps the audience place themselves in that situation. Essentially, Nicolás is blindfolded and so is the audience; it’s a tense situation.
HM: Michael Nyman (The Piano) did the original score for the film; did you always know he’d be the one you’d work with? As for the other music we hear in the film, were those songs your choice?
Trapero: Yes, I knew we’d be working with Nyman to score this film. And it was a great experience to work with him. I’m aware that at times the score is grand and it almost comes off-screen, which to me, works well with the intensity we’re seeing on-screen. — In terms of other music, I did choose the songs we hear in the film. I wanted it to have different sounds you’d hear in the city from rock to cumbia.
HM: Did you always have in mind to honour Father Mugica, who was also a priest who worked with impoverished communities in the 1970’s, in White Elephant?
Trapero: Indeed. Father Mugica is not well-know around the world or even close to home. I definitely wanted to highlight his life and work. Father Mugica is an important figure for all of those who work and live in the Argentinian slums.
White Elephant is a film that deals with themes that are global. Trapero shared with me how he’s really glad that audiences are picking up on the issues he addresses in this film; poverty and drugs are a commonality in many parts of the world, sadly. His first screening in Toronto last night went very well. He mentioned he’s always felt comfortable with Toronto audiences, who ask some really intelligent questions.
White Elephant screens at TIFF again today (Sept 14th) at 3pm (Scotiabank Theatre) and Sunday, Sept 16th at 5:45pm (Scotiabank Theatre). For information on ticket availability, visit tiff.net.
Last night the newest creation from Cirque du Soleil, Amaluna, opened in Toronto. The show is directed by renowned theatre director Diane Paulus. For the first time at Cirque du Soleil, the cast of a show is 70% female. “Amaluna is a tribute to the work and voice of women,” explains Director of Creation Fernand Rainville. “The show is a reflection on balance from a woman’s perspective,“ he adds.
Amaluna takes us to a mysterious island governed by Goddesses. The island is guided by the cycles of the moon. Their queen, Prospera, directs her daughter’s coming-of-age ceremony in a rite that honours femininity, renewal, rebirth and balance which marks the passing of these insights and values from one generation to the next.
In the wake of a storm caused by the queen, a group of young men land on the island, triggering an emotional story of love between Prospera’s daughter and a brave young suitor. But theirs is a love that will be put to the test. The couple must face numerous demanding trials and overcome daunting setbacks before they can achieve mutual trust, faith and harmony.
As the show progresses, the young couple encounters many characters, including the Goddesses, that either assist them or hinder them in their search for happiness.. Through their journey, they come across some amazing acts, which include the Peacock Dance, Manipulation, Tight Wire, Aerial Straps and more. If you’ve been to a Cirque Du Soleil show before, then you know that each one varies from the next. There will be some acts that really amaze you and leave you dumbfounded. What I’ve always loved about Cirque’s shows is exactly that; the feeling of amazement, and just when you think you’ve seen it all, they amaze you again.
Amaluna also features all original music and songs. The use of electronic music worked well with the energy of the show. The all-female band certainly delivered. The stage design is superb as are the costumes. The colours are vibrant and certainly transport the audience into a magical place. The intricacies in the design is unparalleled. All in all, Amaluna will be entertaining, fascinating and will certainly transport you into another world.
As of today and due to overwhelming demand Cirque du Soleil has announced that 18 new and final performances have been added to the Toronto engagement. Amaluna will be presented under the Blue-and Yellow Big Top at the Port Lands on Cherry Street until November 4, 2012. For more details about Cirque Du Soleil, Amaluna and ticketing information go to cirquedusoleil.com.
Every year, I try to see as wide a variety of films as possible at the Toronto International Film Festival (TIFF). There are various programmes that offer something for everybody.
I often post my ‘Top 10 Picks at TIFF’ but this year, I thought I’d start by highlight some films from Latin American filmmakers or highlighting Latin American culture. Some of these may not have distribution yet, and perhpaps may get easily missed. I suggest you to take a look at some; hopefully, you’ll find something you like.
DUST (POLVO) Dir. Julio Hernández Cordón Countries: Guatemala / Spain / Chile / Germany Screening Times: Sun, September 9 Cineplex Yonge & Dundas #10 at 9:45 PM Tues, September 11 Cineplex Yonge & Dundas #8 at 3:00 PM Fri, September 14 Cineplex Yonge & Dundas #3 at 2:00 PM
Synopsis: In a small Guatemalan village where many were “disappeared” during the country’s civil war, a troubled young man struggles with the memory of his murdered father — and the nearby presence of the man who turned his father in.
This film tackles some serious and important issues for the Guatemalan community. Cordón’s style is slow at times, which I know from having seen his film Gasolina. I believe, however, this is methodical and its aim is to mirror some of the feelings the characters may be experiencing. I am curious to see how Dust will compare and add to the current dialogue with regards to Guatemalan history and its community.
7 BOXES (7 CAJAS) Dirs. Juan Carlos Maneglia, Tana Schémbori Country: Paraguay Screening Times: Fri, September 7 Cineplex Yonge & Dundas 3 at 9:00 PM Sun, September 9 Cineplex Yonge & Dundas 8 at 7:00 PM Sat, September 15 Cineplex Yonge & Dundas 6 at 1:00 PM
Synopis: A teenage delivery boy working in a popular Paraguayan market must dodge thieves, rival gangs and the omnipresent police when he undertakes a dangerous contract to transport a load of mysterious — and highly sought-after — crates to the edge of town.
I like the idea the directors are using Paraguay’s capital, Asunción, as backdrop for what sounds like a fast-paced thriller. This is also their first feature film, hence, part of the Discovery programme. This film sounds like it would be full of twists and turns, and sometimes, we just need a good suspense thriller, right?
NIGHT ACROSS THE STREET (LA NOCHE DE ENFRENTE) Dir. Raúl Ruiz Countries: France / Chile Screening Times: Sat, September 8 Isabel Bader Theatre at 6:30 PM Fri, September 14 TIFF Bell Lightbox 1 at 9:00 AM Sat, September 15 TIFF Bell Lightbox 4 at 9:15 PM
Synopsis: Based on Hernan del Solar’s novel, Night Across the Street is both a homecoming and a stock-taking. Set in Chile, with Spanish dialogue, this film announces itself from its opening shots of desert and ocean as a return to the place where the director was born. Drawing on his own obsessions and memories, Ruiz traverses his chosen imaginative landscape in two time periods…the present and the past.
The idea of magic realism in film is always intriguing to me. I also like films that are metaphorical or allegorical in one way or another. I think the idea that a filmmaker takes a look at his/her life in their work is also interesting. If anything, I believe this film will make you think and give you plenty to discuss with friends.
EVERYBODY HAS A PLAN (TODOS TENEMOS UN PLAN) Dir. Ana Piterbarg Countries: Argentina / Spain / Germany Screening Times: Sat, September 8 Winter Garden Theatre at 4:30 PM Mon, September 10 Scotiabank 1 at 4:00 PM Sat, September 15 Scotiabank 2 at 6:15 PM
Synopsis: Second chances are hard-won at the best of times, but in Everybody Has a Plan, the lengths taken to achieve them are as incomparable as they are chilling. The premise of the film is grounded in this potent archetypal conflict. In his third foray into Spanish-language film, Viggo Mortensen plays twin brothers whose deadly pact plunges them into the sordid depths of the Argentine underworld.
Did the name Viggo Mortensen get my attention? Yes, I admit it. However, the fact he is working with a first-time director, Piterbarg, means he must have really wanted to do this film. I am curious as to how the film will unfold.
LA SIRGA Dir. William Vega Countries: Colombia / France / Mexico Screening Times: Sun, September 9 Cineplex Yonge & Dundas #3 at 9:45 PM Tues, September 11 Cineplex Yonge & Dundas #4 at 2:30 PM Fri, September 14 Cineplex Yonge & Dundas #3 at 8:30 PM
Synopsis: Poetic and, deliberately paced, William Vega’s first feature La Sirga transports us to a fascinating area of Colombia that remains unknown — the remote, sparsely populated highlands of the Andes — in this drama that chronicles how the destructive effects of Colombia’s long civil war extend even to this far-flung corner of the country. With moving intimacy, Vega depicts the challenges and obstacles that face Colombia’s Indigenous population.
Another first-time director also dealing with some realistic and very important issues in South America, that of the Indigenous community. I would be interesting to see how William Vega tells the story from the eyes of a nineteen year old, young woman and through the use of metaphors as it’s described in the TIFF guide.
These are but five of my suggestions for you. You can find lots more films to catch, even if last minute, at TIFF this year and don’t be afraid to go out of your comfort zone. Full festival info avail at tiff.net.
Arts & CultureComments Off on Jane & Finch Youth Film and Arts Festival
The Jane & Finch Youth Film and Arts Festival takes place tomorrow night, Wednesday, August 22nd at the York Woods Library Theatre. Its aim is to celebrate the creativity of youth from across the city. Art, photography, films, giveaways and more. I had the pleasure of connecting with the event coordinator, Geeta Wahab, and was able to ask her a few questions in order for us learn more about this great community initiative.
HM: How did the idea of the Jane & Finch Youth Film Fest come about?
Wahab: The film festival came up as idea during a discussion between community stakeholders and the number of media and arts programs and the lack of platform for those youth to showcase the work they have created. Last year we started as just a film festival and this year have already expanded to include arts and photography.
HM: What guidelines do you follow when choosing the films & art works that will be showcased in the festival?
Wahab: The guidelines are pretty open, the festival was never about competition, just more so about the creativity and the opportunity for youth to show their work on a larger scale. For the future years, as we grow, the process may change but you’ll have to stay tuned to find out.
HM: Lastly, how can members of the community become more involved with this project?
Wahab: Members of the community can always get involved by emailing me (Geeta) at janefinchyouthfilmfestival@gmail.com. Whether it’s for films, art, volunteer opportunities, promotions, giveaways and donations, we are always open to the community being involved.
There you have it; lots of ways for you to partake in this initiative even after tomorrow. The Jane & Finch Youth and Arts Festival begins at 5pm tomorrow night with the art exhibit and the film showcase at the York Woods Library Theatre, 1785 Finch Ave West, Toronto.
My first few days at SummerWorks have been nicely paced. Most of the plays I’ve seen deal with some heavy topics. But this is the point in theatre and art, in general, to make us ponder about such topics, engage and debate. Here are my thoughts… Extinction Song Written & Directed by Ron Jenkins Starring: Ron Pederson This is a one-man play about a child, James, who creates a fantasy world to escape the realities of living with an alcoholic father. James takes us into this world wherein he’s been raised by wolves and his ‘real’ parents were killed in a car accident. He refers to his alcoholic father as “The Mountie” and his mothers as “Stepmom.”
Pederson portrays James in a very believable manner. When ‘James’ acts like his father, Pederson does this quite effortlessly. The set design, James’ bedroom, is well chosen and conveys James’ environment. The lighting and sound design also help us transition from James’ room into his imagination. The story itself is serious, funny, and sad. Although this play has received accolades prior to SummerWorks, my one comment is that I found the first half rather long. This, however, did not take away from a strong performance and good direction by Pederson and Jenkins respectively.
Playing at Theatre Passe Muraille Mainspace Performance dates: Wed. Aug 15th at 8:00 PM; Fri. Aug 17th at 8:00 PM; Sat. Aug 18th at 5:30 PM; Sun. Aug 19th at 12:30 PM
Terre Haute Written by Edmund White Director: Alistair Newton – Starring: Terrence Bryant & Todd Michael Sandomirsky The play incorporates a series of death-row interviews based on real-life correspondence between author Gore Vidal and Oklahoma City bomber Timothy McVeigh. The powerful yet subdued nature of the two actors draws the audience in and keep us engaged for the whole 75 minutes.
Their interactions are very intimate…at times funny, others angry, and even sad. Bryan and Sandomirsky are both believable as the older and younger character, respectively. Through their dialogue we come to see each of the men’s humanity; each with wants, needs, and beliefs. Their natures collide at times but through that there is a tangible connection between the two.
Playing at The Lower Ossington Theatre Performance dates: Wed. Aug 15th at 5:00 PM; Fri. Aug 17th at 10:00 PM; Sat. Aug 18th at 12:00 PM
Derailed Written by & Starring: The 2012 AMY Ensemble (Artists Mentoring Youth) Director: Megan Watson The play is comprised of a stories put together by the young women members of the AMY ensemble. The stories are played out inside TTC stations and subway trains. Some of the stories tackle family issues, mental health issues, racism, politics, love, and loss.
Members of the ensemble vary in their acting experience yet they give it their all. The set and light design are kept simply but work well in reminding us of the confines of a subway car. Glad to see young ladies feeling empowered to share their stories, their struggles, and their successes on stage.
Playing at Theatre Passe Muraille Backspace Performance dates: Thurs. Aug 16th at 4:30 PM; Fri. Aug 17th at 7:00 PM; Sat. Aug 18th at 11:30 AM; Sun. Aug 19th at 7:00 PM
Aneemah’s Spot Written by MOTION Director: Dan Marie Bridge – Starring: Araya Mengesha & Amanda Parris Set in Aneemah’s home, we meet the two young friends trying to deal with a serious issue. Sound and music provided byDJ L’Oqenz set the mood and also mirror the tension and love between the two characters. .
Mengesha and Parris are both equally talented. Their delivery of the spoken word and rhyme aspects of the play actually hold up. The story is strong and very true to life in the big city. It deals with loss, friendship and much more. An intimate portrait of what young in the ‘inner city’ encounter in their everyday lives.
Playing at The Lower Ossington Theatre Performance dates: Thr. Aug 16th at 10:00 PM; Sat. Aug 18th at 5:00 PM
You can always follow me on Twitter and Facebook for my thoughts on other plays/shows. For all other SummerWorks details visit summerworks.ca.
Planet IndigenUS, the ten-day multidisciplinary celebration of contemporary international Indigenous culture with events at Harbourfront Centre, Woodland Cultural Centre(WCC) in Brantford and at partner institutions around Toronto and the region is taking place from August 10-19.
This year, the festival will showcase some great music, dance, food, visual arts and film events. Below is a list of events or shows definitely worth checking out.
The festival begins with a great line up of performances including artists like Fara Palmer, Dallas Arcand and award-winning hip hop artist Plex. The event hosts are Wab Kinew and Sarah Podemski.
Hanggai – Saturday, Aug 11, 3pm This Mongolian folk/punk ensemble blend traditional Mongolian folk sounds and instruments with modern punk rock styles. Need I say more?
A Tribe Called Red – Saturday, Aug 11, 11pm DJ Bear Witness, DJ NDN and DJ Snub form A Tribe Called Red… with their mix of traditional drums, urban beats and Jamaican dub this group is sure to get the crowd on their feet. They were also shortlisted for the Polaris Prize this year; a definite must-see.
Whale Rider – Wednesday, Aug 15, 9pm This Oscar-nominated film screens as part of Harbourfront Centre’s Free Flicks series. This family-friendly story focuses on a young girl in New Zealand who struggles to be a chief and who doesn’t feel she’s ‘entitled’ to such honour. A very endearing story.
Susuriwka – Willow Bridge – Friday to Sunday, Aug 17-19 Kaha:wi Dance Theatre in partnership with Yokohama Noh Theater bring us this North American premiere, which explores the connection between Iroquois and Ainu song and dance.
For those near Brantford events at the Woodland Cultural Centreinclude performances by Susan Aglukark, Joel Johnson, and lots more. For a full list of events, go HERE. In addition to WCC, there are plenty of events taking place throughout the city organized by various partners. Some which include:
Film screenings at the TIFF Bell Lightbox – First Peoples Cinema: 1500 Nations
With over 300 artists over 10 days, there is plenty to see and experience. For more information on the artists and schedule times, visit the Planet IndigenUS site HERE.
Arts & CultureComments Off on SummerWorks 2012: My Picks
SummerWorks, the largest juried theatre Festival in Canada, begins its run from August 9th to 19th. This year it will feature over 40 plays, a return of the Performance Bar, a Live Art Series, practical workshops and a new twist on the Music Series. As well, the National Series features a new play by award-winning playwright, actor and director Daniel MacIvor.
The theatre line up this year is looking very, very interesting. As with other festivals, however, I try to give you my picks pre-festival time in hope that you’ll make it to a few shows.
Ajax (Por Nobody) Playwright/Creator(s): Alice Tuan / Zachary Russell The play centers on four people who get together for a booze and drug-‐fuelled evening of sex, but the sexual spree unexpectedly rages out control. Part comedy, part biting social commentary, Ajax (por nobody) is an explicit look at sex and violence in modern culture. The title, Ajax, refers to both the Greek tragedy and the household cleaner.
Extinction Song Playwright/Creator(s): Ron Jenkins An award winning one man play about a childs retreat from reality into an imaginary world, where he conspires with wolves to save himself from his alcoholic father.
Terre Haute Playwright/Creator(s): Edmund White / Alistair Newton A series of death row interviews based on the real-life correspondence of author Gore Vidal and Oklahoma City bomber Timothy McVeigh.
Derailed – The Amy Project (Artists Mentoring Youth) Playwright/Creator(s):The 2012 AMY Ensemble, directed by Megan Watson
It’s the morning rush. Everyone is in transit. Pay close attention so as not to lose your way. Try not to disappear into the crowd. We cannot be responsible for anything you leave behind. Hold on tight.
Medicine Boy Playwright/Creator(s): Waawaate Fobister / Tara Beagan “This fire will bring out the GOOD. This fire will bring out the BAD. This fire will bring out the… what? Ugly? You thought ugly right? Cause you think ugly? Ugly! I wish I could say Native stories never used to have ugly. But I would be lying.”
Photo: David Hawe
Les Demimondes Playwright/Creator(s): Alexandra Tigchelaar & Catherine Nimmo (The Scandelles) With a keen and comic eye and though a multidisciplinary lens of dance, film, song, movement and monologue, Les Demimondes observes how fine arts, music, film and the media have persistently profited off the half-world mystique of sex workers while sex workers themselves remain criminals.
Dutchman Playwright/Creator(s): Amiri Baraka (LeRoi Jones) Written in the 1960s, the play tells the story of a young black man, Clay, and a white seductress, Lula, who meet in a public transport vehicle on a hot summer day. It is a political yet poetic allegory documenting the racial struggle between North American black and white communities in 1964.
Huff Playwright/Creator(s): Cliff Cardinal This is a new one-man show by Cliff Cardinal about the wondrous lives of Wind and his brothers. Wrought with dark humor, and vivid imagery the play weaves a violent, spellbinding tale. Modern pace mixed with First Nation’s mythic meets biting stand-up routine. Video games and trickster collide and Huff conjures a theatrical storm.
Photo: Ryan Parker
Terminus Playwright/Creator(s): Mark O’Rowe / Mitchell Cushman A mother with a heavy conscience, a disembodied soul looking for love and a dangerous loner with a passion for Bette Middler converge in this lyrical Irish spoken-word ballad.
This year’s Music Series will feature four artistic collaborations that pair established music artists with artists working in other performance-based disciplines. Here are my picks but the whole series looks very promising.
Buck 65 – Wednesday,August 15th Experimental artist, MC and turntablist Buck 65 collides artistic worlds with dancemaker Ame Henderson to present an avant-garde performance, starring Buck 65 and his music.
The Magic – Friday, August 10th The Magic will partner with theatre and film artist, Jordan Tannahill to present the CD release of their debut album Ragged Gold, joined by Maylee Todd and Dan Werb. The Magic and Tannahill will create a space-disco-pop party inspired by variety dance shows from the 70s and 80s.
This is but a few of the shows in the various series at this year’s SummerWorks. If you’ve yet to make your picks, you still have time. For full listings on venues, show times and tickets visit summerworks.ca.
Arts & CultureComments Off on The First Weekend Club Toronto Screening Series
Building on the success of their Vancouver Screening Series, the First Weekend Club bring the series to Toronto. The premise is to gather film lovers together and celebrate great Canadian films. Audiences are treated to a unique movie going experience that includes live entertainment by top Canadian musicians during a pre-screening wine reception, and Talkback discussions with filmmakers and stars. For their inaugural event in Toronto, they’ll be presenting the award winning film The Whistleblower (dir. Larysa Kondracki).
The Whistleblower is inspired by actual events. The film follows Kathy Bolkovac (Rachel Weisz), a Nebraskan police officer who takes a job working for the United Nations as a peacekeeper in post-war Bosnia. Her expectations of helping to rebuild a devastated country are dashed when she unveils a different reality: corruption and cover-up amidst a world of UN contingents, private contractors, and diplomatic doubletalk.
Personally I have always been fascinated by incidences of whistleblowing. For instance, did you know that if you report certain types of wrongdoing that you have seen at work then you are protected by law? Although it shouldn’t be happening anymore because not only do many jobs carry out health checks like employee respiratory screening tests, but also background checks, especially for jobs involving the vulnerable. Consequently, you should not be treated unfairly or lose your job because you decide to divulge this information. You can find more information about the law surrounding whistleblowing here. Let us know your thoughts about this film or whistleblowing more generally in the comments below.
Date: Thursday, August 9th, 2012 Location: Deluxe, 424 Adelaide St E, Toronto 7pm: Pre-screening reception featuring Joseph’s Estate Wines (cash bar) and Entertainment by The Weather Station 8pm: Film screening followed by Q&A with director, Larysa Kondracki via Skype and producer, Christina Piovesan in person. Cost: $12 in advance through PayPal – $14 at door. Advance tickets sold online through PayPal. Check here for more info.
