Ending their record-breaking season, Crow’s Theatre partners with the Grand Theatre to co-produce the 2024 Pulitzer Prize winner for Drama, Eboni Booth’s deeply affirming Primary Trust.
READ MOREOn Stage: ‘Primary Trust’ by Eboni Booth
Ending their record-breaking season, Crow’s Theatre partners with the Grand Theatre to co-produce the 2024 Pulitzer Prize winner for Drama, Eboni Booth’s deeply affirming Primary Trust.
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Toronto weather seems to be improving these days. That means, more reasons to get out and enjoy the local theatre and performance scene.
Below I list a few performances that I am aiming to attend and hope you do too over the next couple of weeks. Some great options for an evening or weekend outing.
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The Canada Ireland Foundation (CIF) brings the second annual Bealtaine Theatre Festival to Toronto, featuring Canadian premieres of some of Ireland’s most captivating contemporary theatre productions.
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Paprika Festival is celebrating its 25th anniversary. This year’s festival includes free community events and presentations of new work from nine artists in the Directors Lab, Playwrights Unit, Indigenous Arts Program, and Design Lab 2026 cohort.
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My In The City series returns with a personally curated list of events as part of what I have been calling my birthday / celebration of life week. This year, I have decided to switch it to an Aquarius season celebration.
As per my usual, the list includes some theatre, live performances, music and film screenings around Toronto, as well as, films and a series you can screen from the comfort of home.
As always, hope you find some new favourites.
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Shakespeare’s Troilus and Cressida is a modern marvel that tests the boundaries of genre, and challenges audiences with its fascinating swerves and ambiguous treatment of love, honour, value, and war.
A story that feels all too contemporary, this shocking epic will offer audiences a new perspective on the well-known story of the Trojan War, shining a light on contemporary perspectives on war and valour with brilliant edge and satirical bite.
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With fall in the air and the holidays peeking around the corner, Canadian Stage is thrilled to unveil complete casting and creative team details for their sophomore presentation of Toronto’s beloved holiday Panto, Robin Hood: A Very Merry Family Musical.
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Native Earth Performing Arts premieres its 38th edition of Weesageechak Begins to Dance; an annual festival showcasing new works and works-in-development by 10 Indigenous creators from across Turtle Island and beyond.
The festival theme for this year is ‘Complexities and Curiosities’, weaving stories, conversations, workshops, and more around a fulsome gathering of creativity and inspiration.
Each night of the festival will feature a double bill with presentations from two Weesageechak creators.
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In 2005, d’bi.young anitafrika wrote and starred in their first biomyth monodrama*, blood.claat, followed by benu, and word! sound! powah!. The multi-award winning trilogy introduced d’bi.young anitafrika’s innovative approach to Black gender-queer feminist dub theatre to the city.
This production of The Sankofa Trilogy features several new-generation designers and production/stage weavers who are part of Black Theatre School (BTS).
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Hard-Bitten Productions brings Chantel Winters‘ play Dear Ms. Kitt back to Toronto. After being selected for New York’s 2019 Broadway Bound Theatre Festival, this production is unearthed under the direction of the multi-talented Chantal Forde.
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