In my many walks home, I take varying routes and to my surprise, I came across the Independent Designers Outlet (IDO)on Dundas St. West, a block East of Dufferin at Gladstone.

In my many walks home, I take varying routes and to my surprise, I came across the Independent Designers Outlet (IDO)on Dundas St. West, a block East of Dufferin at Gladstone.

For those of you who have little ones in your life, I recommend an afternoon filled with music, laughter, dance and mystery with Sir Jerry!
TORONTO, June 21, 2009 – Presented by TELUS, CFC Worldwide Short Film Festival (WSFF) proudly presented 10 awards and over $60,000 in cash and prizes to this year’s top filmmakers at the 2009 CFC Worldwide Short Film Festival Awards Picnic. Offering one of the largest prize packages for short film in the world, the WSFF honoured this year’s exceptional filmmakers in the presence of over 400 industry delegates and filmmakers from around the globe.
One of only three Canadian festivals accredited by the Academy of Motion Picture Arts and Sciences®, WSFF Canadian award winners are eligible for Genie Awards, while winners of the awards for Best Live-Action Short and Best Animated Short become eligible for the Academy Awards®.
“The CFC Worldwide Short Film Festival is delighted to honour these talented visual artists,” said Eileen Arandiga, Festival Director. “Ranging from live action, animation, documentary and experimental films from Canada and across the globe, this year’s selection of award-winning shorts prove that the short film form continues to be a powerful cinematic art form.”
The C.O.R.E Digital Pictures Award For Best Live Action Short was awarded to Nicolas Silhol (France) for his psychological drama,MY NAME IS DOMINIC (TOUS LES ENFANTS S’APPELLENT DOMINIQUE) garnering him $5000 in cash and eligibility for the 2009Academy Awards®. An Honourable Mention was handed out to Joost Van Ginkel (Netherlands) for SAND (ZAND), a heart-wrenching story of a father and daughter separated through divorce.
Aparna Kapur received The Jackson-Triggs Award For Best Emerging Canadian Filmmaker and a cash prize of $5,000 for AMMA, the richly animated story of a girl’s bond with her grandmother. Honourable Mention went to Joseph Johnson Cami & Ayelen Liberonafor BECOMING, an experimental dance/action hybrid.
The Kodak Award for Best Cinematography in a Canadian Short was presented to Cinematographer Miroslaw Baszak for the visually stunning THE WATER along with a digital camera package valued at $800. An Honourable Mention went to Director/Cinematographer Pedro Pires for his dance of death experimental DANSE MACABRE.
Best Animated Short honour and a Sony digital camcorder went to Hanna Heilborn and David Aronowitsch (Sweden/Denmark)for the powerful and haunting documentary SLAVES.
Best Canadian Short and a Sony digital camcorder was captured by director Ky Nam Le Duc for the compelling drama LAND OF MEN(TERRE DES HOMMES).
The Best Experimental Short honour along with a Sony digital video camcorder, went to Pedro Pires for DANSE MACABRE (Canada). An Honourable Mention went to director Servane Phillips and Nathalie Robison (Canada) for INSCAPE.
Best Documentary Short honour and a Sony digital video camcorder went to Rhys Graham for his fascinating documentary SKIN(Australia).
For the second year, CFC Worldwide Short Film Festival is pleased to present awards for Best Performance in a Live-Action Short. The Best Performance prize (Female) goes to Leora Rivlin for WIND CHIMES (Israel), Best Performance Prize (Male) to Jack Woutersefor SAND (ZAND) (Netherlands) and Best Performance Prize (Ensemble) to Kil-ho Kim & Tae-hoon Lee for AULD LANG SYNE (South Korea).
And finally, the Screenplay Giveaway Prize, a package of goods and services worth over $50,000 was awarded to Kate Hewlett for her script “SHE SAID LENNY”. The prize includes post-production services at Deluxe Laboratories and studio rental from Centennial College @Wallace Studios, along with film stock from Kodak, two programming passes to WIFT-T, legal advice from Heenan Blaikie Barristers and Solicitors and story editing courtesy of Super Channel.
The TELUS Audience Choice Award which comes with a $5,000 cash prize went to Paul Rondin Is… Paul Rondin (Paul Rondin Es… Paul Rondin) from France, directed by Frederik Vin. Chosen out of all 295 films in the festival, the TELUS Audience Choice Award is the only prize in which all films, in both competition and non-competition screenings are eligible to win.
Now in its 15th year, the Canadian Film Centre’s Worldwide Short Film Festival is the leading venue for the exhibition and promotion of short film in North America and is one of the premier short film festivals in the world. Taking place from June 16th to 21st, 2009 the WSFF will presented 295 films from 46 countries. Offering one of the largest prize packages for short film in the world, top WSFF winners are eligible for both Academy Award® and Genie Award consideration.
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Hye! Note: Thank you to VKPR (V Kelly & Associates Inc.) for sending this information
Picture Credit: http://www.dansemacabre-film.com/en
I like the Shorts for Shorties programme because the films are selected with children in mind but they appeal to the silly child in all of us… The programme celebrates animation. And we get to learns some good lessons as well as see some really cute, fun and super silly characters.
PEDRO: The title came at the end. I told Anne-Bruce that I would like the title Danse Macabre for the film . Then I met Robert (Lepage) and he suggested the same title without knowing my intention.
PEDRO: Or some real perseverance because it took two years to make that 8 minutes film. That was mainly because we had to wait for authorisation to film in those locations. We were working like documentarists. We were shooting in morgues, embalming labs, with real bodies, real blood. And that’s what is in the movie. One of my main goals was to be able to blend that reality perfectly with the dance performance. To make something unique.
PEDRO: Initially I thought it could be interesting to see the preparation of the washing in fast forward. Then I realized that the removing of her clothes could be seen as digging deeper in her past and I then insert 2 or 3 photos of her childhood to pop that idea. I then put a sharp “photo-shutter” sound to accentuate the work of the scissors that cut her clothes.
| From L-R: Anne Bruce Falconer (Choreographer & Cast), Pedro Pires (Director), and Catherine Chagnon (Producer). Photo by HyeM. |
HYE: Can you share a bit about the cast and the choreography? Did you make any suggestions as director as to how you wanted things to flow or did you let Anne decide that? The movements are indeed a ballet piece set to opera.
PEDRO: I was very selective about what choreographic elements could be in the film and what couldn’t. Anne-Bruce came out with a lot of great ideas after working with Robert (Lepage) a year before I started on the project, but once I decided that I wanted some sort of realism, we had to cut a lot. And I was obsessed by the idea of a very slow, last movement or last breath of that cadaver and every movements that was too “danced” or intentional was removed. Anne-Bruce cast herself in that role, as she initiated the project, and I must say that I don’t think it could be a better cast. Even the funeral director André Fournier, whose work also includes embalming corpses on daily basis said he was amazed by the “dead” appearance of Anne-Bruce in the film.
PEDRO: That piece also came at the end. I first tried with some Gyorgy Ligeti atmospheric work and it turned instantly into a horror movie. It was your worse nightmare of being embalmed alive! Then everything more peaceful turned out to be too sentimental until I tried that piece of Callas. Suddenly, it seems probable that this piece could be heard by the radio in the lab first, then it gives an almost religious side without being too sentimental, I thought. I also liked the fact that it was a female voice. And what a voice!!
PEDRO: I’m really happy that you liked the film. Thank you.
