Meadowlarks (Dir. Tasha Hubbard) is a deeply personal and emotional family reunion. The film tells the story of four Cree siblings, taken from their parents by the government and placed in non-Indigenous homes during the 1960s Scoop in Canada.

Now in their fifties, they agree to meet for the first time over a holiday weekend in Banff. Without the usual markers of familiarity, or a shared sense of cultural belonging, Anthony (Michael Greyeyes), Connie (Carmen Moore), Marianne (Alex Rice) and Gwen (Michelle Thrush) try to unpack the layers of each of their lives. In doing so, they find connection to each other, their parents, and their roots.

This is Hubbard’s first dramatic feature, as we know her from her documentary work. This film is based on the filmmaker’s own experience and her documentary Birth of a Family. 

There are no words that can do justice to the many emotions this film will evoke. The impact of ongoing colonialism and governmental abuse on Indigenous families is clear as we get to know each of the four siblings. The cast is stellar as is Hubbard’s close direction. 

Although the film deals with some very heavy topics, it leaves us feeling hopeful. It reminds us of the power of community and reconnecting with family members. The film title (and family name) was inspired by Hubbard’s late grandfather who loved the meadowlark, the songbird of spring, a time of renewal. Very fitting.