Sharing more of my personal picks and recommendations of films screening at this year’s Hot Docs Film Festival.
Listing some features documentaries directed by womxn filmmakers that I hope you will add to your lists as well.
READ MORESharing more of my personal picks and recommendations of films screening at this year’s Hot Docs Film Festival.
Listing some features documentaries directed by womxn filmmakers that I hope you will add to your lists as well.
READ MORESharing some of my personal picks and recommendations of films screening at this year’s Hot Docs Canadian International Documentary Film Festival.
Listing some features documentaries from Latinamerica or by Latinamerican filmmakers that I think you will find interesting and worth watching.
READ MOREThe importance of mental health awareness has been a focus for Workman Arts for years. This year is no different, especially with their linup for the 29th edition of the Rendezvous With Madness Festival (RWM). This is one of the largest and longest-running arts festival in the world dedicated to the intersection of mental health and artistic expression.
Since many of us are still feeling the emotional effects of months of isolation, income precarity, and anxiety over what the future holds, the Rendezvous With Madness Festival offers a unique opportunity to come together in reflection and discussion.
I have attended RWF for many years, and highly recommend you join in this year if you are able to. The list here includes my personal recommendations for films and other events that have piqued my interest.
READ MOREFilmed on location in Canada’s Northwest Territories (Yellowknife and Dettah) and the desert interior region of British Columbia (the Ashcroft Band Lands, Cache Creek and Kamloops), Red Snow is the story of Dylan, a Gwich’in soldier from the Canadian Arctic, who is caught in an ambush in Panjwayi, Afghanistan. His capture and interrogation by a Taliban Commander release a cache of memories connected to the love and death of his Inuit cousin, Asana, and binds him closer to a Pashtun family as they escape across treacherous landscapes and through a blizzard that becomes their key to survival.
READ MOREPremise: The followup to 2015’s He Never Died, stars Oluniké Adeliyi as the cannibalistic immortal Lacey, who must face her own inner demons while simultaneously finding her next meal.
READ MOREThe Blood in the Snow (BITS) Film Festival returns to Toronto with six nights of the best horror fare in Canada. BITS has quickly become one of the best genre-featuring film festivals in the city. This year, the lineup includes feature films, shorts, web-series, and the newly added podcast category.
To start my coverage, I give you thoughts on festival opener Puppet Killer.
The second annual Shorts That Are Not Pants Film Festival opens this weekend with 47 short films from around the globe, with more than half by female directors.
READ MOREPlanet in Focus International Environmental Film Festival (PIF) celebrates its 20th anniversary with a lineup including an eye towards the future, with a selection of cutting-edge filmmaking that reflects the globe through a dynamic range of voices and perspectives.
Below are my personal picks for this year’s festival… Always lots of interesting and thought-provoking films.
Rendezvous with Madness (RWM) celebrates its 27th edition from October 10 – 20, 2019. This year, RWM will showcase 14 feature film and short programs from around the globe, 4 live performance pieces, a visual arts exhibition, plus a new event, Laughter vs. The Universe – a one night only comedy showcase designed to remind us that sometimes laughter truly is the best medicine.
To get you organized, I list some of my top picks for this year’s festival. So go on, #GetMad: Join the Conversation.
The Goethe-Institut Toronto is presenting its October film series, Stronger Than Blood, featuring three outstanding and complex German gangster films over the last two decades. DEALER (1999) by Thomas Asan, CHIKO (2008) by Ozgur Yildirim, and STRONGER THAN BLOOD (2009) by Oliver Kienle.
Jutta Brendemühl, Goethe-Institut Toronto’s Program Curator, met with me to talk about current German cinema, selecting the films in this latest series, and much more.