A haunting play about three brides who share two things in common: they all married the same man, and they are all dead.
READ MOREOn Stage: Wren Theatre’s ‘The Drowning Girls’
A haunting play about three brides who share two things in common: they all married the same man, and they are all dead.
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Terra Bruce Productions presents The Wild Rovers, a new musical inspired by the music and magic of the beloved Irish Rovers.
The Wild Rovers is a mad-cap adventure that sees a famed band whisked away to a fantastical land of Athunia, not to be confused with their sworn enemy, Ethunia (and yes, they are pronounced exactly the same). These fictional countries find themselves on the brink of war and the loveable, hard-working band must help them find a path to peace through song.
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Hannah Levinson made her stage debut at 5 years old in The Sound of Music and at just 17 she is already a three-time Dora Nominee, and a Toronto Theatre Critics Award Winner.
This week, Hannah returns to Toronto’s Coal Mine Theatre for their production of Brendan Jacob’s Jenkins’ APPROPRIATE.
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In getting you ready for the 2023 SummerWorks Performance Festival, I bring you another spotlight interview with one of the six guest curators.
I return with my 5 Questions With… Series with Aria Evans, a queer, Toronto based, West Coast born award winning interdisciplinary artist who’s practice spans dance, theatre and film.
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The SummerWorks Performance Festival returns to Toronto with a wide range of artistic programming that invites audiences to gather together to create new connections with one another and experience the palpable joys of intimacy, ephemerality, and community.
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Flora Le is a storyteller based in Washington DC. She is a lawyer by day, though she has always had the soul of an artist.
I recently connected with Flora, whose one-person show, Sadec 1965: A Love Story, is currently onstage at this year’s Toronto Fringe Theatre Festival. Sadec 1965 is Flora’s first full-length solo storytelling show. One theme is common to Flora’s work: the transformation of pain into beauty.
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Frankenstein(esque) brings five artists together along with a 6 foot tall puppet in a loose understanding of Mary Shelley’s original novel, along with conflicting views on parenting and art.
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After a sold-out run in 2021, as well as seven Dora nominations and two wins (Outstanding Performance by an Individual & the Jon Kaplan Audience Choice Award), Guild Festival Theatre‘s (GFT) Alice In Wonderland will make a spectacular return to Guild Park before touring to theatres across the province.
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Creator/performer Sébastien Heins invites Toronto to a joyous, high-octane, deeply personal adventure story, all experienced at the touch of a button. Video games, theatre and memoir collide in No Save Points as Heins places the control(er) in the hands of the audience, entrusting them to pilot his performance using state-of-the-art motion capture and haptic technology.
Intimate and innovative, the piece is inspired by the real-life story of Heins’ mother being diagnosed with Huntington’s Disease, a rare genetic illness. No Save Points is crafted for gamers and theatre-lovers alike.
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In an attic of an older building in Toronto, we are tranpsorted to late 19th century London, England.
Wren Theatre‘s production of The Elephant Man reminds us of John Merrick (Jordan Imray), as he is known in the play by Bernard Pomerance. Merrick, a horribly deformed young man – living with a rare skin and bone diseases – becomes the star freak attraction in traveling sideshows. Found abandoned and helpless, he is admitted to London’s prestigious Whitechapel Hospital.
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