The Toronto Black Film Festival (TBFF), created by the Fabienne Colas Foundation and presented by Global Toronto returns for its 3rd edition beginning tonight, February 10, and running until Sunday, February 15.
As TBFF is about discovery and celebrating the diversity within the black community, this year the festival is bringing us some of the most outstanding black films. Keeping this in mind, I have picked my Top 5 films to see at this year’s festival.
Opening Night, Tuesday, February 10
Manos Sucias
Isabel Bader Theatre, 7:30PM
Synopsis: Towing a submerged torpedo in the wake of their battered fishing boat, ‘Jacobo,’ a desperate fisherman and Delio, a naive kid, embark on a journey trafficking millions of dollars of cocaine up the Pacific coast of Colombia. While Jacobo is a seasoned trafficker, young Delio is unprepared for the grim reality. Shot entirely on location, in areas that bear the indelible scars of drug trafficking and guerrilla warfare.
My thoughts: Premiering at the Tribeca Film Festival last year, and having Spike Lee as executive producer, is helping this film float ahead in the festival circuit. It has received a set of mix reviews. But I say, judge for yourself. The film highlights a snippet of life for this young Afro-Colombian youths, which we rarely get to see on the big screen, especially on this side of the coast.
Wednesday, February 11th
Through A Lens Darkly: Black Photographers and the Emergence of a People
Carlton Cinema, 5:00PM
Synopsis: Black photographers and the emergence of a people is a documentary about how African American communities have used the camera as a tool for social change from the invention of photography to the present. This epic tale poetically moves between the present and the past, through contemporary photographers and artists whose images and stories seek to reconcile legacies of pride and shame while giving voice to images long suppressed, forgotten, and hidden from sight.
My thoughts: I saw this documentary last year at Inside Out Film Festival, and it is certainly outstanding. The span of time it covers is extensive, and although it could be a daunting, long film, this is not the case here. It is a very interesting look at the historical context of photography within the African American community, as well as, a great spotlight on some of its photographers. Definitely recommend it.
Thursday, February 12th
Des Etoiles / Under The Starry Sky
Alliance Française, 7:00PM
Synopsis: Between Turin, Dakar, and New York, Sophie, Abdoulaye and Thierno’s three destinies cross paths and echo one another, delineating a constellation of exile. Sophie, 24 years old, leaves Dakar to join her husband, Abdoulaye, in Turin. Meanwhile, Abdoulaye has already left for New York through a smuggler’s network. 19-year-old Thierno is traveling in Africa for the first time. Recounting these three characters’ destinies, the film takes us on a journey through the diversity of the cities the characters travel to, confronting us with the realities, hopes, and dreams of contemporary emigration.
My thoughts: This film sounds interesting in the nature of its story, or three stories, rather. I am also curious about how the various locations will play out in the narrative.
Saturday, February 14th
La Belle Vie / The Good Life
Carlton Cinema, 7:00PM
Synopsis: A story about Rachelle Salnave, a Haitian American filmmaker, and her journey to discover her Haitian roots by examining the complexities of the Haitian society as it pertains to the overall political and economic dichotomy in Haiti. Using her own personal family stories interconnected with capturing the voices of Haitians and experts overall, the film chronologically uncovers the rational behind its social class system but also how it has affected the Haitian American migration experience as well.
My thoughts: Documentaries most often take us to places we are unable to visit, for a myriad of reasons. When they include a personal story and analysis within a community / country, I find they can be enlightening, moving, and thought-provoking. I am hoping this is the case with this one, too.
Sunday, February 15th
Terrible Love
Carlton Cinema, 3:00PM
Synopsis: A bittersweet autopsy of mental illness and lost love, Terrible Love tells the story of Rufus, a wounded veteran returning home from Iraq with post-traumatic stress disorder, and his devoted wife Amy. They promised never to leave each other, but that promise is put to the ultimate test when Rufus’ PTSD becomes violent.
My thoughts: Stories of mental health and its impact on everyday life, not just for the individual, are not only relevant but much needed. Regardless of culture, age, or socioeconomic background, mental illness affects many, and if a film adds to the dialogue and can help de-stigmatize it, I am all for it.
TBFF also offers concerts, panel discussions, exhibits, workshops, and opportunities to meet filmmakers and artists from Canada and around the world.
The films and events listed here are but a few for you to choose from. For a full list of films, parties, ticketing info, and more, visit torontoblackfilm.com.
The Winterfolk XIII Blues & Roots Festival brings us a stellar lineup of artists for its 13th annual edition; taking place February 13 – 15. A variety of music styles will fill five stages in various venues at Broadview and Danforth in Toronto. Venues include The Black Swan Tavern, The Globe Bistro, Dora Keogh’s and Terri O’s.
The festival launches Friday night at The Black Swan, with gritty blues performer Alfie Smith, best known for his resophonic guitar playing and brazen slide licks, followed by New Orleans jazz-style paraders The Heavyweights Brass Band. Then renowned blues-rocker Jack de Keyzer headlines the Winterfolk All-Star Blues Band with award-winning bassist Gary Kendall of Downchild, Al Lerman of Fathead, and more.
Other performances to catch at this year’s festival include:
Songs and Stories‘ host Danny Marks is joined by Tony Quarrington, Jory Nash and Ben Sures to play their tunes and spin their tales at this concert stage.
Saturday, February 14
The inaugural all-female Lilith Comes to Winterfolk presentation features Canadian songwriters Lynn Miles, Lynn Harrison, Soozi Schlanger of Swamperella, Rae Billing and Shawna Caspi.
Also on Saturday in time for Valentine’s Day, Love at Winterfolk highlights sultry singer-songwriter Laura Fernandez, hillbilly swing duo HOTCHA!, the return of the Trio of Fun (with Ken Whiteley, Wendell Ferguson, and Tony Quarrington), and closing Cajun party band Swamperella.
Sunday, February 15
Duelling Banjos: Long time feuding clans presents Frank Evans, John Millard, members from Andrew Collins Trio, and Kitgut Stringband to converge for a Bluegrass Hootenanny to settle things.
Nik Beat: A Celebration of Life: Celebrating the life and art of Poet and Musician, the late Nik Beat, join Host Michael Oesch and artists Jennifer Hosein, Nancy Bullis, Laura L’Rock, Pat Kelly, Michael Marion, Michael Marion, Pat Connors, Laura Fernandez and more.
These are but a few highlights of what Winterfolk is serving up this upcoming weekend. Last year’s festival had me forgetting all about the winter blahs with some excellent music, and new favourite artists too! For performance listings, venues, and ticket information, visit winterfolk.com.
This latest installment of In The City features music, theatre, film and visual art events taking place around T.O. this weekend and for the rest of the month.
Imaginary Friends
Gabrielle De Montomollin
The Red Head Gallery
February 4 to 28, 2015
Reception: Saturday February 7, 2-5 pm
Falls, on the shores of Lake Muskoka and the wintery streets of Montréal, sailing the Atlantic to points further East, de Montmollin’s real-in-art imaginary friends travel the world and send home visual “wish you were here” messages.
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Roussillon, 2010. Gabrielle De Montomollin. |
The Backward Class
Hot Docs 2014 Audience Award Winner
Opens in Toronto Friday, February 6
The Bloor Hot Docs Cinema
In the depths of rural southern India, in a small school devoted to backward caste students, aspiring graduates Vijay, Anith and Mala are studying. At seventeen years old, they are the inaugural graduating class and are preparing for final exams no class of their background has ever had the opportunity to write, the Indian School Certificate high school graduation exams.
Mooredale Concerts
Walter Hall, U of T
Sunday, February 8, 2015
Tickets: $30, or $20 for under age 30,
available online or by calling 416-922-3714 ext. 103
Mooredale Concerts brings together violinists Erika Raum and Scott St. John, violist Sharon Wei and cellist Thomas Wiebe. Three great classical works for duo and trio comprise their program – Schubert’s Trio for Strings in B flat major, D. 471; the Sonata for Two Violins in A minor by Eugène Ysaÿe; and Bach’s massive Goldberg Variations for String Trio in G major, BWV 988, arranged by Dmitry Sitkovetsky.
On the same afternoon, you can bring the kids to Music & Truffles – Classical Music for Family Enjoyment. The artists also perform a one-hour interactive version of the concert for young people age five and up, and their families. Sunday, February 8 at 1:15 p.m. at Walter Hall, iTickets, only $13, include a chocolate truffle for all.
Twisted
Factory Theatre with b current
Runs until February 22
Written by Charlotte Corbeil-Coleman and Joseph Jomo Pierre
Directed by Nigel Shawn Williams
Starring: Susanna Fournier and Ngabo Nabea
Twisted is a modern-day reimagining of the Dickens classic, Oliver Twist, set in the heart of Toronto’s urban centre. In this retelling, Ollie, an orphaned black youth, and bottom girl Nancy are trying to survive the gritty streets of Toronto. Ollie has been in and out of foster homes and Nancy suffers from a loveless childhood, but they find love in each other, at least through their cell phones. Through their intimate and poetic text messages, they forge a powerful real-time connection – and plan a dangerous escape for a better life. Together.
From this list, I can tell you that I have attended previous Mooredale Concerts and have always enjoyed myself. I have also seen the documentary The Backward Class twice at Hot Docs Documentary International Film Festival last year. It is uplifiting, moving, and definitely a crowd pleaser. For the rest, I suggest you take the time to check out either the art or theatre show. They always make for an entertaining afternoon or evening out, especially in the winter.
Canadian Rep Theatre‘s presentation of the Toronto premiere of How Do I Love Thee? by Florence Gibson MacDonald opens tonigh, February 5th, at the Berkeley Street Upstairs Theatre. Directed by Canadian Rep Artistic Director Ken Gass, How Do I Love Thee? is a language-rich exploration of both the euphoric and darker sides of the marriage of Elizabeth Barrett Browning and Robert Browning, Victorian-era poets who enjoyed “rock star status” at the heights of their careers.
This exploration of the intricacies of love, creativity and addiction features a great cast with Irene Poole and Matthew Edison as Robert and Elizabeth, Nora McLellan as Elizabeth’s maid Wilson, and David Schurmann as John Kenyon, Elizabeth’s distant cousin and friend of Robert.
Following the euphoria of a heady courtship carried on chiefly through letters, Robert elopes to Italy with Elizabeth, only to discover her lifelong addiction to opiates which fuel her relentless creativity.
Playwright Florence Gibson MacDonald noted her “inspiration for this play came from a most unlikely source: the British Medical Journal wherein several doctors in the 1990s engaged in a lively discussion about Elizabeth Barrett’s illness.” It is on this note, that I took the liberty to ask MacDonald more about the play, and its inspiration.
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Playwright Florence Gibson MacDonald Photo: Canadian Rep Theatre |
HM: Since How Do I Love Thee?‘s premiere in Alberta, has any material changed in the story or overall play?
Florence Gibson MacDonald: Yes, there have been significant changes. Ken Gass, Artistic Director of Canadian Rep, and I went back to a previous draft of the play and worked from there. We both felt there were elements, in the second act primarily, that deserved a second look. So although there are no major changes to character or structure, the lives of the Brownings after their marriage has been expanded to include things like the birth of their son, Pen, Elizabeth’s interest in Italian politics, the writing of Aurora Leigh- all things that created friction in the marriage! This resulted in changing the act break as well.
HM: It is very interesting how you were inspired to write this play when noticing Elizabeth Barrett’s illness was often mentioned in the British Medical Journal. Is this an important aspect of her and Robert Browning’s courtship, you think?
FGM: Elizabeth’s addiction to opiates is, of course, a game changer in their marriage. Especially since Robert knew nothing about it until they’d lived in Italy for a month and there was no money to pay the bills! But equally important, I think, is the fact she became dependent on her drugs to write. The play explores the effect of drugs on creativity.
HM: Given the great poetic correspondence between Robert Browning and Elizabeth Barrett, how did you go about choosing which of these would be quintessential to the play?
FGM: I have only used excerpts from the first few letters. From there it became my own invention, in order to make it dramatic, and to compress the correspondence phase of their relationship- which lasted a year- into a time frame that could be conceived on stage. Of course, I had to use that famous line from Robert’s first letter to Elizabeth, “Dear Miss Barrett, I love your verses with all my heart, and I love you too!”
Oh, that first letter! I remember I learned about both poets in my high school years, knew a bit about Elizabeth’s addiction, and of course, am a fan of their lovely sonnets. Knowing how MacDonald aims to tell their story, I am definitely intrigued about How Do I Love Thee? It will make for an interesting evening at the theatre, as well.
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Irene Poole and Matthew Edison as Robert and Elizabeth Photo: John Lauener |
A couple of weeks back, I came across the article in The Toronto Star about Daniel Rotsztain‘s drawing / art project showcasing all of our Toronto’s public libraries. And thought to myself, what a neat project!
Although Rotsztain has been receiving a lot of media attention already, I was curious about his work and set out to do a virtual interview with him. This is what he shared with me.
HM: You are an Urban Geographer. For those who have yet to discover your website, can you tell us how you define your profession?
Daniel Rotsztain: I first discovered Urban Geography during my undergrad at McGill. I remember taking a class called “The Canadian City” and being overjoyed that there was a discipline dedicated to things that I was already passionate about: urban spaces and their magic, good city design, social justice in the city, the importance of transit, the messiness and organic nature of the city.
By the end of my undergrad, I realized academia wasn’t my thing… So I turned to art. I find that Art is undefined in its pursuit of communication, and there’s more freedom to say the things you want to say the way you want to say them.
I suppose my quick definition of an Urban Geographer would be: someone who understands the spatial relationships within a city, tries to make sense of the city, tells the stories of cities, and perhaps, someone who is dedicated to making the experience of living in cities better.
HM: I noticed you have and are working on various projects. What is Carolinia, Toronto’s Bioregion about exactly?
DR: These days, a lot of people think of cities as unnatural. I think otherwise: cities are as natural as any ecosystem. The bricks that old Toronto houses are made of, literally came from the earth that Toronto is built on top of. Carolinia: Toronto’s Bioregion proposes we change the way we think about Toronto to make its ecology more prominent in its identity, and make us feel more connected to the earth beneath our feet.
A bioregion is a geographic area identified by distinct ecology, geology, climate, watershed and human culture. It’s a way of parcelling human cultures into regions not by random political borders but by meaningful borders: mountain ranges, rivers and ecosystem. Toronto is at the northern tip of a very southern deciduous forest that stretches all the way to the Carolinas. Known as the Eastern Deciduous Forest in the US, it’s called the Carolinian forest in Canada.
Looking at the characteristics of Toronto’s underlying ecology explains a lot about its human culture: it’s densely populated flora- and fauna-wise, and one of the most diverse ecoregions in Canada, which is also true about its human population. Our older buildings have a distinct architectural style that can be related to the materials they are made from and the local weather conditions.
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Carolinia Map. Photo courtesy of Daniel Rotsztain |
HM: Your All The Libraries project, in which you draw every branch in the Toronto Public Library, was written up in The Toronto Star. I find it super interesting! What are your hopes for this project moving forward besides the website and publishing a book?
DR: By visiting all the libraries in Toronto, I learnt that the Toronto Public Library is a system that is working incredibly well post amalgamation. Many people focus on the divisions and inefficiencies that amalgamation caused, without looking at constructive solutions.
The successful Toronto Public Library can be a model for systems in the city post amalgamation. It benefits from being centralized but allows its various outposts to have a meaningful amount of independence. Beyond writing the book, I am going to continue to research what is making the Toronto Library so successful and how that can be applied to other parts of the city.
HM: Out of the various projects you have going on, I’d like to learn more about the Learnt Wisdom Lectures. How did these come about?
DR: The Learnt Wisdom Lecture Series was inspired by the Fuller Terrace Lecture Series in Halifax Nova Scotia, an storytelling series I attended when I lived there hosted by some friends. They started inviting people to their backyard to share stories with a different theme every week.
When I moved back to Toronto, I missed the weekly Fuller Lectures, and the community it created, so my partner and I decided to start our own version. But ours is a bit different. Our venue is roving: we host the lectures in often overlooked or neglected spaces all over Toronto, with a different space every month. In this way, urban exploring becomes a critical part of the event… Each [one] has a theme, and each talk culminates in a one liner take-away wisdom. Look out for the next ones!
HM: Lastly, any upcoming Toronto events where people can meet you, hear you speak, or see your work?
DR: Prints of my work are on display and available for purchase at the Toronto Comic Arts Fesitval‘s pop-up shop at the Toronto Reference Library. When the 100th branch of the Toronto Public Library opens in the Spring, all 100 drawings will be displayed there.
I am speaking at the April Edition of Nerd Nite on Thursday, April 9, at the Tranzac Club, and am scheduling a talk at the Riverdale Library in the coming months. I’m also hosting a Jane’s Walk in May, come explore some of the city’s branches with me!
I’d say Rotsztein leads a very interesting life, and his answers have definitely made me think of Toronto in a different way. I encourage you to visit his website, and find out more about his projects. Here is hoping you join in his adventures in the upcoming weeks and months, too! There is a Nerd Nite with my name on it for sure.