HM: How do you see this relationship in terms of “Living Green?”
HM: What message would you like us to take away from the work that you’re doing?
HM: How do you see this relationship in terms of “Living Green?”
HM: What message would you like us to take away from the work that you’re doing?
This year, Hot Docs will present Critical Mass, a new speaker series featuring international critics and media personalities that will take place during this year’s Hot Docs Canadian International Documentary Festival, running April 29 to May 9. Critical Mass will pair three high-profile critics in the fields of music, architecture and fashion with Canadian media personalities for three 90-minute conversations about the latest trends and ideas fuelling their field. The Critical Mass speaker series is programmed by Bob Ramsey, Ramsey Inc.
Critical Mass will launch on Saturday, May 1, at 7:00 p.m. at the Al Green Theatre – Miles Nadal Centre with a conversation with Sasha Frere-Jones. A musician and pop-music critic for The New Yorker, Frere-Jones was named one of the top 30 critics in the world by The Economist‘s lifestyle publication, Intelligent Life. His controversial essay “A Paler Shade of White,” which examines the changing role of race in pop-music, generated more response mail for The New Yorker than any essay the magazine had published in the past ten years.
Critical Mass will present an evening with Pulitzer Prize-winning architecture critic and writer for The New Yorker, Paul Goldberger (pictured here). Goldberger has written The New Yorker‘s celebrated “Sky Line” column since 1997. The author of numerous books on architecture, he began his career at The New York Times, where in 1984 his architecture criticism was awarded the Pulitzer Prize for Distinguished Criticism, the highest award in journalism. Goldberger will be in conversation with host of CBC Radio One’s “The Sunday Edition,” Michael Enright, on Monday, May 3, at 7:00 p.m. at the Al Green Theatre – Miles Nadal Centre.
The speaker series will conclude with guest Robin Givhan, the Pulitzer Prize-winning fashion critic and style writer with The Washington Post, where she covers the news, trends and business of the international fashion industry. Her work is distinguished by the way in which it examines fashion through the lens of popular culture, politics and social anthropology. Givhan received the Eugenia Sheppard award for journalism from the Council of Fashion Designers of America and, in 2006, won the Pulitzer Prize in criticism for her fashion coverage. In 2009, she began covering Michelle Obama and the cultural and social shifts stirred by the first African American family in the White House. Givhan will be interviewed by iconic fashion reporter and host of “Fashion Television,” Jeanne Beker, on Friday, May 7, at 7:00 p.m. inside the University of Toronto’s Hart House.
This is going to be an interesting series. Be sure to make your way to at least one of the sessions. Tickets to each Critical Mass presentation are $12 and can be purchased at the Hot Docs documentary Box Office (Hazelton Lanes, 55 Avenue Road), by phone at 416-637-5150, or online at www.hotdocs.ca.
Living green has become a local and global priority. Some of us have some awareness about environmental issues that affect our planet but how many of us are taking initiative by doing something to increase awareness in our local communities? The City of Toronto will be recognizing individuals, organizations and companies that are leading the initiative in making our city green. The Green Toronto Awards ceremony will take place this Friday, April 23rd.
GCC youth have also targetted young children, engaging them with age-appropriate games and activities to teach them about recycling and saving energy in their homes.
As the Corps expands, youth across the city are making pledges to “Learn, Model and Build….” This is a unique opportunity for youth to also consider careers in the “green economy.”
to locally grown produce, and to hopefully provide a space away from the downtown core for youth to explore that experience of urban farming. In the not too distant future, SKETCH will move, and we hope to find a place where we can create living walls, a green roof and find ways to integrate “green ideas ” and plants into the SKETCH studio, as the green of the garden reminds us all to enjoy the precious-ness of daily living.
the earth and take part in growing a healthy community, and we want to provide a space for marginalized youth, who may not have the leisure to access these activities and events, but have lots to contribute to the city.
The Toronto Jewish Film Festival (TJFF) has grown a lot throughout the years. This year is no different; there are many films to explore along with some free events as well. I had the chance to screen a few films pre-festival. This little summary will hopefully entice you to take in a few films.
Cinema’s Exiles: From Hitler to Hollywood by Karen Thomas
This film documents the struggle of many of the major figures in German cinema encountered during the time of Hitler and afterwards. We get to know what happens to creative individuals like Fritz Lang (Dir. of Metropolis), Billy Wilder (screenwriter), Peter Lorre (actor) among others who were already quite famous across Europe.
The change in culture and adjusting to the demand of American studios wast not easy. Some fared well and others, not so much. What helped many of them survive such changes was their fellow artists both of German and Jewish origins, many whom had left Germany before Hitler came to power. Marlene Dietrich played a key role during this time, as she helped find accommodation for many that transplanted themselves to Hollywood. Interspersed with images from many of the great films made by these artists, we hear excerpts from some of their personal writings, which makes this already educational film richer in content and story. Whether you know much about these cinema giants or not, you will find something of interest in this film.
April 18 – 1pm @ Cineplex Odeon Sheppard Centre
April 21 – 1pm @ the Bloor Cinema
Okay, so I realize that I have three documentaries in my list and one feature film. But I recommend going to TJFF’s website for info on even more features and events; some of which are free. TJFF starts Saturday, April 17 and runs in various venues in the city until Sunday, April 25.
*Images courtesy of GAT.
“Rooftop Docs presents a new and exciting viewing experience for our audiences, offering more opportunities to meet and socialize with one another,” says Hot Docs executive director Chris McDonald. “The outdoor screenings we’ve attended at other festivals are always a thrill. Docs, drinks and popcorn under the stars – what could be better?”
Rooftop Docs titles and screening times appear below:
THE PARKING LOT MOVIE: Meghan Eckman | USA | 84 min
Long stretches of tedium punctuated by brief moments of “F*ck you, buddy!” – that’s life at the Corner Parking Lot. A hilarious look at the ragtag crew of over-educated misfits that you trust with your keys.
Thursday, May 6 8:00 p.m.
MARWENCOL: Jeff Malmberg│USA│83 min
Seeking solace after a brutal beating, Mark Hogencamp constructs a miniature WW II-era town in his backyard. But when his talent is discovered, the instant “artist” must choose between his fantasy life and the real world he’s carefully avoided.
Friday, May 7 8:00 p.m.
DOCK ELLIS & THE LSD NO-NO D: James Blagden | USA | 5 min
THE FRESHWATER PLAGUE D: Jake Chirico | Canada |10 min
INUIT HIGH KICK D: Alethea Arnaquq-Baril | Canada | 2 min
NOTES ON THE OTHER D: Sergio Oksman | Spain | 13 min
PETER IN RADIOLAND D: Johanna Wagner│Scotland│10 min
QUADRANGLE D: Amy Grappell | USA | 20 min
TIME’S UP D: Jan Peters, Marie-Catherine Theiler | Germany | 15 min
NOTE: “Arsy-Versy” REPLACING “Notes on the Other” in Shorts Program
Saturday, May 8 8:00 p.m.
Doors will open at 7:30 p.m. with live music and bar service starting at 8:00 p.m. Screenings will begin at 8:30 p.m.
Tickets to each Rooftop Docs event are $12 and can be purchased at the Hot Docs documentary Box Office (Hazelton Lanes, 55 Avenue Road), by phone at 416-637-5150, or online at www.hotdocs.ca.
I hope you’re able to make it to at least one of these screenings. I’m looking forward to it. Stay tuned for more updates about this festival.
*Image courtesy of Hot Docs.
Thanks to the First Weekend Club, some of us gathered at the Drake Underground to hear four Genie Nominated filmmakers talk about the industry and their individual experiences. The panel, moderated by Richard Crouse (Canada AM, NewsTalk 1010), included Brett Gaylor (Dir. of RIP: A Remix Manifesto), Charles Officer (Dir. of Nurse.Fighter.Boy), Kari Skogland (Dir. of Fifty Dead Men Walking) and Chris Landreth (Dir. of Ryan and The Spine).
Once late March comes, those of us living in the T-Dot and who love film know that film festival season is here. Having work commitments means that I have to use my time wisely and narrow down my list of films to see. It also means I have to be realistic about which film festival I can attend. So here I am, pen in hand, making lists. Yes, I get a little “nerdy” about film festivals. I like to make lists of the films I really want to see, want to write about and those “maybes” that can wait till the last minute; in case I have time.
As I mentioned, these are but very short lists. In the next few days, I hope to have more for you. Check out the links attached for more information on the films, tickets and schedules.
It’s been about six weeks since I actually sat down to do some writing. I think I needed the break or what I now call my Impromptu Hiatus. Albeit a shorter month, I find February a bit sluggish in terms of getting through the days. We had some grey days this past February, which make me move a little slower. But I’m glad we had some wonderful weather these past couple of weeks. Sunlight and longer days help in getting us through the last bit of winter and alas! the vernal equinox is upon us.
Last week Saturday, I had the chance to check out the play Macbeth Reflected. The play was a shortened version of the original Shakespeare piece. It was adapted and directed by Thomas Morgan Jones. Macbeth has been one of my favourite Shakespearean plays for its depiction of immorality and corruption. To me, Lady Macbeth is the driving force of the play… She is conniving, ruthless, ambitious and it is she, who helps Macbeth with his murderous plots. When I noticed that Macbeth Reflected was showcasing more of their relationship, I was curious to see how. After the play, Thomas Morgan Jones answered a few of my questions. Here is what transpired…
