Spoiled Cécile, 17, spends her summer at the French Riviera with her rich, widower, playboy dad Raymond. A usually carefree atmosphere is challenged by the arrival of Anne, Cécile’s late mom’s friend, visits and brings changes to all.
What happens when you mix Shakespearean tragedy, Roman decadence, and a heavy dose of 1970s excess? You get Caligula: The Ultimate Cut, a film that proves absolute power not only corrupts absolutely, but does so in the most spectacularly outrageous way possible.
Isle of Demons is a story by Governor General Award-winning playwright Robert Chafe. It tells the incredible but true story of Marguerite de la Roque who was abandoned on a remote island in the Gulf of St. Lawrence in 1542. Part tragedy, part thriller, this play has premiered in Toronto thanks to the Guild Festival Theatre.
SummerWorks Performance Festival continues into this weekend. Returning with another suggestion for you to add to your festival list.
Versus by Adam Lazarus, a one-person interactive odyssey to hell and back as he tries to have a good day on a bad day, will have its world premiere at SummerWorks this weekend.
Set amidst the tumultuous backdrop of political intrigue and familial betrayal, this iconic tale follows the tormented Prince of Denmark as he grapples with existential questions of life, death, and revenge.
Qasim Khan is a four-time Dora nominee who has played major roles across Canada. This season he stars as the title role in the Canadian Stage – Dream in High Park production of Hamlet.
Viggo Mortensen’s sophomore directorial effort, The Dead Don’t Hurt, is a poignant and gritty exploration of love, resilience, and survival set against the unforgiving backdrop of the 1860s Western frontier. Combining a tragic love story and a nuanced depiction of the conflict between revenge and forgiveness, the film focuses on the lives of star-crossed lovers Vivienne Le Coudy and Holger Olsen.
Mortensen, who also stars in the film alongside Vicky Krieps, creates a narrative rich in character development and visual authenticity, making it a modern addition to the Western genre.
Amid a global pandemic, an entrepreneur looks back on his life’s work owning and operating an idiosyncratic cinema in the forest of northern Ontario.
In my last preview of this year’s SummerWorks Performance Festival, I am highlighting an interactive narrative piece.
I always make a point of attending one or two interactive or immersive experiences at SummerWorks every year. By doing so, I have discovered new artists, took part in the telling of a story, and even canoed to one of the Islands for a ‘celebration of life’ of sorts. Each one is always so memorable.
SummerWorks Performance Festival has several interesting offerings for us this year. With its theme being that of ‘Survival Mode,’ the festival is inviting us to start conversations and be in community.
Rougarou, a new horror-themed play by Damion LeClair, will take part in SummerWorks Lab. This program is a place for exploration, experimentation, and process, where new work is incubated or shared at crucial stages of development.
