Born and raised in Aguascalientes, Mexico, Luis Ramirez is a Mexican-Canadian composer and musician. He often incorporate elements of Mexican folklore with a cinematographic approach to his musical storytelling.
Born and raised in Aguascalientes, Mexico, Luis Ramirez is a Mexican-Canadian composer and musician. He often incorporate elements of Mexican folklore with a cinematographic approach to his musical storytelling.
Uno Helmersson is an award-winning Swedish composer and multi-instrumentalist whose credits include the worldwide hit TV series The Bridge, which was broadcast in more than 100 territories and won him a Golden FIPA Award.
Awarded and nominated for his music, with over 70 composer credits on IMDB and more than 800 registered compositions on his rights society, he is among the top composers for film in the northern part of Europe.
Uno’s latest work includes the Sundance 2021 animated documentary FLEE, the BBC documentary Riots, and the awarded documentary The Painter and the Thief.
Sara Farb is a veteran with The Musical Stage Company. She has been part of all the UNCOVERED series except one. She has also been part of five seasons at The Stratford Festival with shows including Romeo and Juliet, Anne Frank, King Lear; Fun Home (Musical Stage Company/Mirvish — Dora nom); Canadian premiere of The Humans (Canadian Stage/Citadel), R-E-B-E- C-C-A (playwright and performer, Theatre Passe Muraille).
Sara is the bookwriter for Kelly v. Kelly, which she wrote with Britta Johnson (music and lyrics) with the Canadian Stage and Musical Stage Companies. The world premiere of Kelly v. Kelly was delayed due to COVID. The Musical Stage Company is dedicated to the future of the piece and look forward to premiering it in a future season.
The Toronto Symphony Orchestra (TSO) makes its long-awaited return to the concert hall, with Gustavo Gimeno’s highly-anticipated in-person début as Music Director. November’s concerts promise to be emotional experiences as audiences return to Roy Thomson Hall (RTH) for the first time since March 2020.
After many months away from RTH, I am very much looking forward to spending more time enjoying the TSO’s in-person concerts again!
Composer for film and theatre, Jonathan Snipes, recently scored the Sundance 2021 horror documentary hybrid film A Glitch in the Matrix, directed by Rodney Ascher.
A Glitch in the Matrix takes audiences on a journey through science and philosophy to examine the theory that humans live in a simulation, and the world as people know it, is not real.
Toronto’s Upper Canada Choristers and their accomplished Latin ensemble Cantemos celebrate the diversity of music from Latin America in a concert titled Inti Ukana: A Latin American Tapestry. Originally scheduled for May as a public performance, it will now be live-streamed, with some pre-recorded elements this Friday, October 2 at 7:30 pm EDT.
Co-founder/conductor Laurie Evan Fraser directs the 45-member mixed choir in music new and old, traditional Indigenous and more widely known contemporary, with pianist Hye Won Cecilia Lee. Joining them are leading artists from Toronto’s Latino community, among them tenor Antonio Mata, and Claudio Saldivia on charango and quena. Well-known singer-songwriter and radio host Laura Fernandez will emcee the evening and serve as narrator.
At a time when countless concerts and performances have been cancelled across the country, Sonic Boom, Canada’s beloved record store has created an online venue for Canadian artists to launch their Spring record releases.
Canadian Music Week announced today the incomparable Buffy Sainte-Marie as the 2020 recipient of the Allan Slaight Humanitarian Spirit Award.
“Buffy Sainte-Marie sets the bar for everything the Allan Slaight Humanitarian Spirit Award stands for,” said Gary Slaight, CEO and President of Slaight Communications/Slaight Family Foundation. “For [Sainte-Marie], worldwide success and the status of music legend was not a personal goal, but an opportunity – an opportunity to try to right wrongs, an opportunity to give back to the planet, and an opportunity to alter the course of Indigenous lives through education.”
As part of my birthday month celebration, I have always wanted to attend a Mozart concert by the Toronto Symphony Orchestra. This year, I was a able to attend two concerts… Mozart’s Requiem, with the Toronto Mendelssohn Choir, and his Symphony No. 40. A total treat!
Here’s some details about the concerts and my recap of my lovely time spent with Mozart’s music.
The Ward Cabaret, a sold-out work-in-progress hit at last year’s Luminato Festival, premiered at Harbourfront Centre Theatre this past weekend.
From the 1840s until the Second World War, ‘The Ward’ was a place where Jewish, Chinese, African-American and Italian immigrants, among others, lived and struggled – an area loosely bordered by College and Queen, University and Yonge Streets – and was the seeding ground for this city’s cultural diversity. The Ward Cabaret musically and through storytelling explores how that remarkable process of mixing and imagining and sharing began, at the turn of the last century.