There is something to be said for documetaries that bring out the audience’s imagination. Director Jay Cheel accomplishes this and more in his film How To Make A Time Machine, which premiered at Hot Docs this past May.
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The Man Who Saw Too Much
Artscapes
The film follows famed Mexican photographer Enrique Metinides, who has spent his life documenting death, tragedy, and violence. At the age of 9, he acquired his first camera. At that time, he became curiously fixated on capturing crime scenes and accidents. This curiosity led him to a role as an unpaid assistant at a Mexican tabloid when he was 13. Being a fan of American and Mexican cinema, the visuals on-screen shaped his way of seeing the world around him. READ MORE
On the eve of the opening of Hot Docs International Documentary Festival, I give you the first of two personally curated list of films to see at the festival.
This year Hot Docs Board of Directors chose Patricio Guzmán as the recipient of its 2015 Outstanding Achievement Award. As part of the honour, Hot Docs held a retrospective during the festival celebrating Patricio Guzmán’s distinguished career as a director and writer. The Hot Docs Outstanding Achievement Award is presented annually by the Hot Docs Board of Directors in recognition of a filmmaker’s enduring contribution to the documentary form. READ MORE
With Hot Docs beginning this week, it seems fitting to share part two of my Top Picks at this year’s festival. This second part highlights documentaries from Latin America, which I believe expose its culture, its struggles, its hopes, but also its talents. READ MORE
Hot Docs Canadian International Documentary Festival‘s upcoming 22nd edition, starting April 23 until May 3, is just around the corner. From 2,724 film submissions, this year’s slate will present 210 titles from 45 countries in 12 screening programs. Like previous years, the festival has a stellar lline-up of films to please all documentary fans. READ MORE
